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About the Artist

Art shaped by paper, space, and time.

Natalia Correa, born in Medellin - Colombia, is a visual artist and interior designer based in the United States. Her work exists at the intersection of art and design, informed by a deep understanding of space, materials, and scale.

After an early period of exhibitions in Colombia and the U.S., she paused her artistic practice while developing her career in interior design. Those years refined her sensitivity to proportion, texture, and the way objects inhabit a space.

She later returned to art through teaching, where she rediscovered the expressive potential of paper. What began as an exploration of material gradually evolved into a sustained sculptural practice.

Today, her work focuses on wall pieces, vessels, and objects conceived to integrate naturally into contemporary interiors, quiet forms that bring presence without imposing it.

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Trayectory

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Education

Juvenilia School and Art Center

Selected Solo Exhibitions
2008

Otherness (Otredad) 

Colombo Americano Cultural

Center Cali, Colombia

2007

Macarena Show Bar 

Miami, Florida, USA

2006

COOK 917 Café-Gallery 

Cali, Colombia

Umbral del Arte Studio 

Cali, Colombia

Selected Group Exhibitions
2010

Autonomous University of Cali

Cali, Colombia

2007

Women in the Arts 2007 

America’s Museum 

Miami, Florida, USA

Art in Miami 

Diego Victoria Fine Art & Elite Art Edition 

Miami, Florida, USA

2006

New Horizons 

Salome Fine Arts 

Miami, Florida, USA

Man, Art and Environment 

Regional Autonomous Corporation of Valle del Cauca

(C.V.C.) Cali, Colombia

1993

La Merced Archaeological Museum 

Cali, Colombia

Chamber of Commerce of Cali 

Cali, Colombia

1990

Jenny Vila Gallery 

Cali, Colombia

The Process

1.

Material Preparation

Paper is transformed into a dense, malleable clay. Egg cartons, the primary material, are processed and combined with other elements until a homogeneous paste is achieved, capable of holding structure while remaining responsive to touch.

2.

Shaping by Hand

Working directly by hand and without molds, each piece begins to take shape. The material’s resistance, weight, and flexibility guide the development of the form as much as the initial idea.

3.

Layering & Refinement

Layer by layer, structure emerges through shaping, drying, carving, and adjustment. Surfaces are refined while preserving subtle irregularities that reveal the handmade process.

4.

Texture & Presence

The finished work retains visible traces of its making: fibers, textures, and tonal variations that emphasize tactility and material honesty, transforming fragile paper into a lasting sculptural object.

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Approach

Each piece is conceived as a singular object, not only decorative, but atmospheric.

Designed to coexist with interiors rather than dominate them, these works aim to introduce texture, warmth, and a subtle emotional presence.

Paper, in this context, becomes structure, surface, and narrative at once: a material capable of conveying both fragility and strength.

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